2 Samuel 22: David's Song of Thanksgiving

2 Samuel 22 consists of a piece of biblical poetry, probably by multiple authors, but one with a consistent voice - that assigned to King David. The poem present a somewhat mystical image of God, in which God is not any one thing but is many things at once. Below the poem appears in 11 strophes that I defined by theme. I then analyze it in the subsequent section.

2 Samuel 22: David's Song of Thanksgiving
David spoke to the Lord the words of this song on the day when the Lord delivered him from the hand of all his enemies, and from the hand of Saul.

[1]
He said: The Lord is my rock, my fortress, and my deliverer,
my God, my rock, in whom I take refuge,
my shield and the horn of my salvation, my stronghold and my refuge,
my savior; you save me from violence.
I call upon the Lord, who is worthy to be praised,
and I am saved from my enemies.

[2]
For the waves of death encompassed me,
the torrents of perdition assailed me;
the cords of Sheol entangled me,
the snares of death confronted me.

[3]
In my distress I called upon the Lord;
to my God I called.
From his temple he heard my voice,
and my cry came to his ears.

[4]
Then the earth reeled and rocked;
the foundations of the heavens trembled and quaked,
because he was angry.
Smoke went up from his nostrils,
and devouring fire from his mouth;
glowing coals flamed forth from him.

[5]
He bowed the heavens, and came down;
thick darkness was under his feet.
He rode on a cherub, and flew;
he was seen upon the wings of the wind.
He made darkness around him a canopy, thick clouds, a gathering of water.
Out of the brightness before him coals of fire flamed forth.
The Lord thundered from heaven;
the Most High uttered his voice.
He sent out arrows, and scattered them
—lightning, and routed them.
Then the channels of the sea were seen,
the foundations of the world were laid bare
at the rebuke of the Lord,
at the blast of the breath of his nostrils.

[6]
He reached from on high, he took me,
he drew me out of mighty waters.
He delivered me from my strong enemy,
from those who hated me;
for they were too mighty for me.
They came upon me in the day of my calamity,
but the Lord was my stay.
He brought me out into a broad place;
he delivered me, because he delighted in me.

[7]
The Lord rewarded me
according to my righteousness;
according to the cleanness of my hands
he recompensed me.
For I have kept the ways of the Lord,
and have not wickedly departed from my God.
For all his ordinances were before me,
and from his statutes I did not turn aside.
I was blameless before him,
and I kept myself from guilt.
Therefore the Lord has recompensed me
according to my righteousness,
according to my cleanness in his sight.

[8]
With the loyal you show yourself loyal;
with the blameless you show yourself blameless;
with the pure you show yourself pure,
and with the crooked you show yourself perverse.
You deliver a humble people,
but your eyes are upon the haughty to bring them down.
Indeed, you are my lamp, O Lord,
the Lord lightens my darkness.
By you I can crush a troop,
and by my God I can leap over a wall.
This God — his way is perfect;
the promise of the Lord proves true;
he is a shield for all who take refuge in him.
For who is God, but the Lord?
And who is a rock, except our God?

[9]
The God who has girded me with strength has opened wide my path.
He made my feet like the feet of deer, and set me secure on the heights.
He trains my hands for war,
so that my arms can bend a bow of bronze.
You have given me the shield of your salvation,
and your help has made me great.
You have made me stride freely,
and my feet do not slip;
I pursued my enemies and destroyed them,
and did not turn back until they were consumed.
I consumed them; I struck them down,
so that they did not rise; they fell under my feet.
For you girded me with strength for the battle;
you made my assailants sink under me.
You made my enemies turn their backs to me,
those who hated me, and I destroyed them.
They looked, but there was no one to save them;
they cried to the Lord, but he did not answer them.
I beat them fine like the dust of the earth,
I crushed them and stamped them down like the mire of the streets.

[10]
You delivered me from strife with the peoples;
you kept me as the head of the nations;
people whom I had not known served me.
Foreigners came cringing to me;
as soon as they heard of me, they obeyed me.
Foreigners lost heart, and came trembling out of their strongholds.

[11]
The Lord lives! Blessed be my rock, and exalted be my God,
the rock of my salvation, the God who gave me vengeance
and brought down peoples under me,
who brought me out from my enemies;
you exalted me above my adversaries,
you delivered me from the violent.
For this I will extol you, O Lord, among the nations,
and sing praises to your name.
He is a tower of salvation for his king,
and shows steadfast love to his anointed,
to David and his descendants forever.


Analysis of 2 Samuel 22

[1]
God's protection acts in a continuum of capacities: A rock connotes constancy, so God acts as a form of continual safety. A fortress connotes warfare, so God acts on behalf of David in battle. A deliverer connotes oppression, so God acts as a revolutionary who overthrows the old order. The three terms form a continuum from safety to a liminal state of danger to persecution. The next terms - shield, horn, stronghold, refuge - all hold their own connotations as well, with shield and stronghold both suggesting battle or willful confrontation, and horn and refuge both suggesting one who seeks safety (as in the safety offered by grasping one of the horns of the altar; in a similar way blood is dashed on the horns to expiate wrongdoing when a sin offering is made). The closing image is again one of a savior, so that the "strophe" begins at one end of the spectrum and ends at the other.

[2]
Strophe 3 introduces the first water images in the poem, the "waves of death" and "torrents of perdition." These synonymous images recall the destructive waters of the Red Sea that washed over the Egyptians as they pursued the escaping Israelites. The next two synonymous images are objects of binding: cords and snares. These images, like the preceding water images, give the sense that death is an active force that pursues the living. The poet is encompassed, assailed, entangled, and confronted, all actions that frighten or oppress.

[3]
Here is the anthropomorphic God, who lives in the temple. I would argue that the fact of God's hearing is not as important to his anthropomorphism as his residence in the temple. Of course, the mention of the temple indicates composition after the time of David, as Solomon would only build the temple of the Lord after his father's death. But if we consider the temple as part of the poet's cohesive vision, we find that the establishment of a temple serves to make God's temporary residence in the traveling ark permanent with a fixed building. God has been physically present with his people since the time of Moses, and remains with them when the Temple is established. God is not accessed on mountains (as with Moses) or beside a river (as with Jacob), but rather in the temple.

[4]
This strophe is perhaps our first introduction to the prophetic poetry of the bible, with what we might call "apocalyptic" imagery ["Apocalyptic" not in the sense of The Book of Revelation but rather in the sense of revelation of God's actions on earth]. The earth suffers a tumultuous time due to God's anger, in a scene reminiscent of a volcanic eruption. God's anger causes the earth to quake, smoke to arise, and fire and coals to shoot out. These physical manifestations of anger come from God's body, mixing emotion with a very physical reaction, though not an anthropomorphic one per se. God has human features, but these display superhuman capabilities: shooting fire and smoke. The poet seems to say that God is in some ways like humankind, but clearly certain aspects of him are manifested differently. There is a strong connection with the natural world, if only it is the destruction of the natural world.

[5]
Violent imagery continues in strophe 6 as God mounts a campaign against the poet's enemies. God thunders from heaven, the source of wind and clouds and water, taking these elements with him to form a canopy of clouds, like the one that led Israel by day as they wandered in the wilderness. God is conveyed on the wind wrapped up in the natural world elements of clouds and water, and image that combines the most primeval elements of Genesis. He then uses natural and unnatural means to fight the poet's enemies: arrows and lightning. These two parallel verses are synonymous, demonstrating God's ability to defeat armies through natural and supernatural means. God's power lays bare the entire earth, sea and land, a demonstration of his utter hegemony.

[6]
Just as God "came down" in strophe 6, he reaches "from on high" to rescue the poet. God's exact location is indeterminate, but clearly it is some place "up." Here God is not the God that resides within the temple, but the God that protects on the field of battle. In two parallel verses, God rescues the poet first from "mighty waters" and second from a "strong enemy" that is "too mighty for me." The mixing of metaphor and reality helps to muddle the meaning of the poem, as the poet mixes a figurative event with a literal one. Unless this poem is attributed to a person that was saved both from mighty waters and a strong enemy, it is safe to assume that the mighty waters part is metaphor. This allows the reader to question, "What else is metaphor in this poem?" Indeed, we can now interpret a great deal of this poem as metaphor. Perhaps God does not actually breathe smoke and shoot fire from his mouth. Perhaps this application of natural and human images to the divine serves as an attempt at mysticism, an attempt to experience (or in this case, convey) the ineffable through physical means. Mysticism does not tell us that God is something, but rather that God is like something. In this way God can occupy both high places and the temple because this is an acknowledgment that there are certain things we do not understand about him. Mysticism allows for alternative experiences and explanations of God where the traditional falls short.

[7]
The poem shifts here from the nature motif to a description of God's ways. The Lord delivers the poet because of the poet's righteousness and likewise because "he delighted in me," as stated in strophe 7. Keeping with the covenant and all of God's ordinances, the "ways of the Lord," is essential to keeping God's favor. Righteousness is equated with spiritual cleanliness, a way of keeping "holy." In biblical parlance, "holy" means "separate." Spiritual cleanness means staying away from the grime of sin.

[8]
The first four verses of this strophe display a mirroring quality to God: God reveals himself to people the way they are. [By extension, God reveals to people how they act; the loyal see their loyalty mirrored in God and could know that they are loyal.] Ideally the Israelites fall under the first three categories: loyal, blameless, and pure. These humble people conquer others through God's action; God acts as a shield for them in which they take refuge, assuming a passive state. God is a rock. In this sense it seems to be God's work alone that conquers Israel's enemies. However, a few verses clarify God's powers. The Lord is a tool; a lamp to provide light or something that gives crushing or leaping power to the poet. There are "historical" instances of actions like this in the bible, but I wonder whether the poet means it literally. I do not have an answer for this question - but I think the answer to the question would tell us a little more about the person or people behind this poem.

[9]
From this point to the end of the poem, the subject modulates frequently between God/He/You, and I. In classical mystic fashion, this creates an ambiguous quality to the work, so that addressing the Lord in the second person is the same as speaking of him in the third. The added third voice of the poet (I) further confuses the poetry, so that I becomes wrapped up in God, who is also You and He.

The poet is very much concerned with feet, footing, and balance, which conveys the feeling of balance and movement. The Lord secures the poet's feet and strengthens the poet's arms. The poet is aided by the Lord in warfare, so that the poet's enemies are destroyed. They fall under the poet's nimble feet like dust or the muck on a street.

[10]
This strophe makes clear the "poet" is David, or at least a king. The poet is a leader with so many subjects he does not know them all. His name invokes fear in people he has never met, and people surrender to him without a fight.

[11]
Strophe 12 recaps the opposite ends of the spectrum: God as rock and God as deliverer. It closes out the poem with praise for God, who loves and supports his anointed, the king. God is the Savior of Israel forever.

The vision of God presented in the poem is not entirely cohesive, but this allows for a mystical interpretation of the passage. The biblical poet may not have been driving toward a mystical vision, but the fact that we are able to interpret it as such may indicate that the poet held a view of God that the Lord was somehow ineffable, and that language failed to describe God or any experience with God.